Lega mask

Collected in situ in 1945 by Baudouin de Malmaut

High: 20.2 cm . 9 inch  

Provenance:  Collected by Baudouin de Malmaut in 1945.  Then private collection Michel Boulanger, Liège Belgium.  

In contrast with most other African masks, which hide the wearer's face, Lega masks can be worn on the side or the back of the head, hung from a beard or carried in the hands. They can also be piled up or grouped on the ground, or suspended from a fence or a pole.

The most common type of Lega mask is the small lukwakongo mask, which often has a fibre beard, symbolizing old age. The name is associated with death and the dead. These masks are the personal possessions of the bwami members who have reached yananio, the penultimate level. 

Although they are not portraits and do not represent a specific ancestor, the masks are heirlooms from former initiates and so evoke happy memories. Most important is the idea that the deceased are not really dead, but go on living through the masks they have left behind, thus allowing their descendants to carry on their traditions. The aphorisms recited as an accompaniment during the rituals refer to the philosophical and moral principles of the bwami.  

Lega Mask, Zaire    

The Lega  mask "lukwakongo"  was used in the rites leading to membership in the "lutombwo lwa yananio" grade of the "bwami" society. Small masks do not represent specific personalities but generalized human faces, such as the father's, donor of life and center of authority. If used in dance, they serve as memory of the great virtues the fathers strove for and the vices they rejected. These virtues must be cultivated generation after generation to maintain "bwami" and preserve the social order. Thus, the cold, stern, passionless faces of the masks signify the ever-present ancestral sanctions of virtues.

Literature:

0930741889 Cameron, Elisabeth Lynn, Art of the Lega  , Los Angeles 2001, p. 192, ill. 9.28  

This beautiful Idumu Lega mask, Museum quality has a very high quality of carving. Heart  shaped  and a second pear of eyes looking towards the future and the past on the checks. This type of mask was only used during the last grade of the Bwami, and is very rare on the market . It has a honey patina you'll also find on Bembe statues.

Of oval form, a protruding forehead with a heart-shaped facial plane underneath, divided by an elongated triangular nose with a bridge accentuated by dark brown patina, big, almond-shaped, open worked eyes, two circular ornaments on the cheeks, beneath a raphia beard, pierced around the rim, slight damages on base Lega masks, and crack in the wood around the eye. Worn during bwami initiations.  Heart-shaped, concave face.

This mask has a very strong carving and was already in a private collection since the early sixties where Michel Boulanger bought it, it was collected around 1945.  

This is not a "cheap " mask, so only request information if you are serious.

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During rituals, a larger type of Lega mask was attached to a fence and surrounded by the smaller lukwakongo masks. The Idimu (or Idumu)  mask represented "the Master of the Land surrounded by his children," and symbolized the unity and cohesion of the communities that gathered around it in present, past and future.

This mask was published in the catalog from the Portugal Lisboa Antiques Biennal, and also in Casa Jardim Portugal from March 2006 .  

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